Bombay Talkies was a movie studio founded in 1934. During its period of operation, Bombay Talkies produced 40 movies in Malad, a suburb of the Indian city of Mumbai.
The studio was established in 1934 by Himanshu Rai, Niranjan Pal (son of Bipin Chandra Pal) and Devika Rani. After Rai's death in 1940, Rani took over the studio. Besides the founders, Ashok Kumar was the leading actor of the studio until 1943, when he founded another studio, Filmistan, with Shashadhar Mukherjee. After Rani's retirement, Kumar and Mukherjee took over Bombay Talkies. The company went out of business in 1953. A last film produced by the studio was released in June 1954.
Bombay Talkies set a high technical standard for film making in India and was credited with introducing a level of professionalism to the medium of movie making and acting, reputedly higher than standards set by rival Indian film production companies. Bombay Talkies acquired a reputation for changing the aesthetics and technology traditionally associated with Indian films. It was also renowned for producing films on (then) controversial topics such as those dealing with love between an Dalit lower caste girl and a high caste Hindu Brahmin boy e.g. ( Achhut Kanya).
Devika Rani, who became one of Bombay Talkies' most successful actresses, and India's first film diva, appeared in Jawani ki Hawa (1935) and Jeevan Naiya (1936), as well as a number of other highly successful productions by the company. The studio was similarly recognised as having launched the careers of several prominent Indian film actors including Devika Rani, Ashok Kumar, Leela Chitnis, Mehmood Ali, Madhubala and Dilip Kumar. Madhubala and Dilip Kumar, who co-starred in four Bombay Talkies films, engaged in a long term, highly covert love affair. Raj Kapoor worked as an assistant to Amiya Chakravarty of Bombay Talkies, before becoming a famous director.
Negotiations between Devika Rani on the one hand and Sashadhar Mukherjee and Ashok Kumar on the other failed to unite the company. Shashdhar Mukherjee, Ashok Kumar and a few others left the company in 1943 to found Filmistan. In 1945, Devika Rani married the Russian painter Svetoslav Roerich, sold her Bombay Talkies shares and left the industry. After several attempts to reunite the studio, it was sold to Tolaram Jalan, a businessman, who decided to cease its operations in 1953.
| 1935 | Jawani Ki Hawa | Franz Osten Osten | Saraswati Devi | Najamul Hussain, Devika Rani |
| 1936 | Achhut Kanya | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1936 | Janmabhoomi | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1936 | Jeevan Naiya | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1936 | Mamta and Miya Biwi | Franz Osten | Saraswati Devi | Devika Rani, Najmul Hussain, J. S. Casshyap |
| 1937 | Izzat | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1937 | Jeevan Prabhat | Franz Osten | Saraswati Devi | Kishore Sahu, Devika Rani |
| 1937 | Prem Kahani | Franz Osten | Saraswati Devi | Ashok Kumar, Maya Devi |
| 1937 | Savitri | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1938 | Bhabhi | Franz Osten | Saraswati Devi | Renuka Devi, P Jairaj |
| 1938 | Nirmala | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1938 | Vachan | Franz Osten | Saraswati Devi | Ashok Kumar, Devika Rani |
| 1939 | Durga | Franz Osten | Saraswati Devi | Devika Rani, Rama Shukul |
| 1939 | Kangan | Franz Osten | Saraswati Devi + Ramchandra Paal | Leela Chitnis, Ashok Kumar |
| 1939 | Navjeevan | Franz Osten | Saraswati Devi | Hansa Wadkar, Rama Shukul |
| 1940 | Azad | N R Acharya | Saraswati Devi + Ramchandra Paal | Leela Chitnis, Ashok Kumar |
| 1940 | Bandhan | N. R. Acharya | Saraswati Devi + Ramchandra Paal | Leela Chitnis, Ashok Kumar |
| 1940 | Punar Milan | Najam Naqvi | Ramchandra Paal | Snehprabha, Kishore Sahu |
| 1941 | Anjaan | Amiya Chakrabarty | Pannalal Ghosh | Devika Rani, Ashok Kumar |
| 1941 | Jhoola | Gyan Mukherjee | Saraswati Devi | Leela Chitnis, Ashok Kumar |
| 1941 | Naya Sansar | N. R. Acharya | Saraswati Devi + Ramchandra Paal | Renuka Devi, Ashok Kumar |
| 1942 | Basant | Amiya Chakrabarty | Pannalal Ghosh | Mumtaz Shanti, Ullhas, Madhubala (debut) |
| 1943 | Hamari Baat | M.I. Dharamsey | Anil Biswas | Devika Rani, Jairaj |
| 1943 | Kismat (or Kismet or Qismat) | Gyan Mukherjee | Anil Biswas | Ashok Kumar, Mumtaz Shanti |
| 1944 | Char Ankhen | Sushil Majumdar | Anil Biswas | Jairaj, Leela Chitnis |
| 1944 | Jwar Bhata | Amiya Chakravarty | Anil Biswas | Dilip Kumar (debut), Mrudula, Shamim Bano |
| 1945 | Pratima | Jairaj | Arun Kumar Mukherjee | Dilip Kumar, Swarnalata, Jyoti, Mukri |
| 1946 | Milan | Nitin Bose | Anil Biswas | Dilip Kumar, Meera Mishra, Ranjana, Moni Chatterjee |
| 1947 | Nateeja | Najam Naqvi | Rasheed Atre | Yaqub, Shamim, Majid Khan |
| 1947 | Noukadubi | Nitin Bose | Anil Biswas | Abhi Bhattacharya, Meera Mishra |
| 1948 | Majboor | Nazir Ajmeri | Ghulam Haider | Munnawar Sultana, Shyam, Sohan |
| 1948 | Ziddi | Shaheed Latif | Khemchand Prakash | Kamini Kaushal, Dev Anand, Veera |
| 1949 | Mahal | Kamal Amrohi | Khemchand Prakash | Ashok Kumar, Madhubala, Kumar |
| 1950 | Samar | Nitin Bose | S. D. Burman | Sumitra Devi, Ashok Kumar |
| 1950 | Sangram | Gyan Mukherjee | C. Ramchandra | Nalini Jaywant, Ashok Kumar, Nawab |
| 1950 | Mashaal | Nitin Bose | S. D. Burman | Ashok Kumar, Sumitra Devi, Ruma Devi |
| 1952 | Maa | Bimal Roy | S. K. Pal | Bharat Bhushan, Leela Chitnis, Kusum Deshpande, Arun Kumar |
| 1952 | Tamasha | Phani Majumdar | Manna Dey, S. K. Pal, Khemchand Prakash | Dev Anand, Meena Kumari, Ashok Kumar |
| 1954 | Baadbaan | Phani Majudar | Timir Baran, S. K. Pal | Dev Anand, Ashok Kumar, Meena Kumari |
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